Late one night while taking a peyote-induced trip, Ken Kesey visualized a schizophrenic Native American named Bromden. Kesey had been working on a book based in a psychiatric ward, inspired by his time as a nightshift orderly in a similar setting, but the project had stalled. This image of Chief Bromden reopened Kesey\u2019s imagination \u2014 he now had a narrator for his story. \u201cOne Flew Over the Cuckoo\u2019s Nest\u201d began to take shape.<\/p>\n
\u201cCuckoo\u2019s Nest\u201d marked the beginning of Kesey\u2019s writerly acclaim and career success. But his story begins much earlier. It includes partaking in CIA-organized tests of psychoactive drugs, serving a jail sentence for marijuana possession and leading the charge of the Merry Pranksters<\/a>, a collective of voices from the Beats era known for their \u201chappenings.\u201d<\/p>\n This Prankster-in-Chief maintained a sprawling life that gave way to a monumental body of work.<\/p>\n Editorial Note: Image credit to Getty Images<\/em><\/p>\n Kenneth Elton Kesey was born in La Junta, Colorado<\/a> on September 17, 1935, and grew up in Springfield, Oregon<\/a>. He graduated from the University of Oregon in 1957<\/a> and then headed to Stanford University, where he attended a graduate fellowship in creative writing<\/a>. There he started writing \u201cCuckoo\u2019s Nest.\u201d<\/p>\n Kesey won $2,000 from the Harper-Saxton Prize<\/a> for his in-progress manuscript. He also audited a graduate writing seminar, where he met fellow writer Tillie Olsen. During his time at Stanford, Kesey built connections with several other writers like Wendell Berry, Ken Babbs and Larry McMurtry.<\/p>\n While in California, Kesey was at the center of the counterculture revolution in the mid-1960s. His work features themes that align with both the Beat Generation<\/a> in the 1950s and the hippies of the 1960s. He famously referred to himself<\/a> as \u201ctoo young to be a beatnik, and too old to be a hippie.\u201d<\/p>\n As the story goes, Kesey was misled into partaking in the CIA-sponsored Project MKUltra<\/a>, a top-secret military experiment that was testing the influence of hallucinogenic drugs on interrogation. Kesey\u2019s experiences would help inform \u201cCuckoo\u2019s Nest.\u201d<\/p>\n Once \u201cCuckoo\u2019s Nest\u201d was published in 1962, Kesey moved to La Honda, California<\/a>. He started hosting \u201chappenings\u201d with colleagues from Stanford, and the group became known as the Merry Pranksters. During this time, Kesey was introduced to Jack Kerouac, Allen Ginsberg and Timothy Leary \u2014 all of whom influenced and inspired Kesey\u2019s subsequent work.<\/p>\n Readers can garner some insight into these \u201chappenings\u201d from the 1968 New Journalism book \u201cThe Electric Kool-Aid Acid Test,\u201d written by Tom Wolfe. To the public, these gatherings were described as Acid Tests. But, more specifically, for attendees, \u201chappenings\u201d often consisted of consuming LSD in tandem with multimedia performances.<\/p>\n When Kesey published \u201cSometimes a Great Notion\u201d in 1964, he felt it was the best thing he would ever write. He had aspired to match the magnitude of William Faulkner\u2019s Yoknapatawpha saga, a staggering collection of nearly 70 stories set in a small fictional Mississippi county.<\/p>\n After \u201cGreat Notion\u201d was released, Kesey was asked to travel to New York City. Kesey, Neal Cassidy and the rest of the Merry Pranksters drove cross-country in a school bus nicknamed Furthur<\/a>. Their goal for the trip was to make art out of everyday life. Parts of this journey are captured in Wolfe\u2019s book and the documentary, \u201cMagic Trip: Ken Kesey\u2019s Search for a Kool Place<\/a>.\u201d<\/p>\n However, the next year, Kesey was arrested and imprisoned for five months after being accused of marijuana possession. Upon release, he returned to Oregon and moved to Pleasant Hill<\/a>.<\/p>\n Kesey continued writing, often publishing short works with presses like Rolling Stone and Esquire. Many of these stories and personal essays appear in \u201cDemon Box.\u201d At the same time, he taught a graduate writing workshop at the University of Oregon. In the mid-1990s, Kesey reconnected with the Merry Pranksters to tour and perform a musical play.<\/p>\n By 1997, Kesey began to have health problems. He first suffered a stroke and then required surgery to remove a tumor on his liver in 2001. His body struggled to recover from the operation, resulting in his death at age 66.<\/p>\n Many themes in Kesey\u2019s work mirror ideas at the heart of the counterculture revolution. By the 1960s, younger generations were frustrated by industrialization, social injustice and societal expectations placed on young people. They championed individual freedom.<\/p>\n For Kesey, mass society restricted individuality by promoting big business, government and religion. He saw two options for people in the 20th century<\/p>\n In both \u201cCuckoo\u2019s Nest\u201d and \u201cGreat Notion,\u201d readers can find examples of an individual fighting a centralized power. The former positions Miss Ratched, a tyrannical nurse, against the ward\u2019s patients, including Bromden and McMurphy. She runs a tight program, with the looming threat of electroshock therapy for those who disobey her carefully laid structure.<\/p>\n \u201cGreat Notion\u201d is widely considered to be Kesey\u2019s magnum opus. It\u2019s stylistically technical and complex, seamlessly shifting between time periods and perspectives. The novel demonstrates the toll of maintaining individualism in the face of technological advancements and encroaching modernity on a small Northwest community.<\/p>\n Kesey\u2019s later works navigate similar themes. In \u201cSailor Song,\u201d a Hollywood film company arrives on the doorstep of a small Alaskan village and seeks to transform the area into a theme park. The challenge of maintaining one\u2019s sense of self when the path of least resistance is conformity is woven throughout much of Kesey\u2019s work.<\/p>\n<\/div> Kesey\u2019s acclaimed first novel follows a psychiatric ward\u2019s new patient, Randle Patrick McMurphy. It is narrated by the aforementioned Chief Bromden, a mysterious, reflective and highly medicated fellow patient.<\/p>\n The book navigates sanity, treatment of mental health, institutionalized mental illness and counterculture. McMurphy is a loud, boisterous patient who challenges Nurse Ratched\u2019s strict rule of law and order on the ward.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div> Reviews<\/p><\/div><\/div><\/div><\/div> Amazon<\/p>\n<\/div><\/div><\/div> StoryGraph<\/a><\/u><\/p>\n<\/div><\/div><\/div> Goodreads<\/a><\/u><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div> Two years after \u201cCuckoo\u2019s Nest,\u201d Kesey published \u201cSometimes a Great Notion\u201d \u2014 a story that follows a family of Oregon loggers who refuse to join a union strike. This refusal creates a rift in their small Pacific Northwest community.<\/p>\n The novel delves into family, unity, community and loyalty, alongside the battle between an evolving industry and traditionalists. It\u2019s a sprawling story with a carefully laid plot and robust characters that help it walk the line between hilarity and tragedy.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div> Reviews<\/p><\/div><\/div><\/div><\/div> Amazon<\/p>\n<\/div><\/div><\/div>Ken Kesey: Writer From Small-Town Oregon Grows Into a Literary Giant<\/h2>\n
Kesey\u2019s Themes: Individualism, Free Will and Resistance to Conformity<\/h2>\n
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Books by Ken Kesey<\/h2>\n<\/div><\/div><\/div><\/div><\/div>
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