\u201cLet me live, love, and say it well in good sentences.\u201d – Sylvia Plath<\/p>\n
Sylvia Plath<\/a> (1932-1963) was an American poet and writer best known for her use of confessional poetry, and who studied under Robert Lowell at Boston University in 1959<\/a>. Other notable poets within her milieu included Anne Sexton<\/a> and George Starbuck<\/a>. She also kept a large volume of journals that were published after her death, as well as correspondence to her mother over a 12-year period.<\/p>\n Plath only published one poetry collection during her lifetime, \u201cThe Colossus\u201d in 1960, together with her single novel, \u201cThe Bell Jar,\u201d appearing in 1963, published by William Heinemann Ltd<\/a> under the pseudonym of Victoria Lucas. Plath\u2019s \u201cCollected Poems,\u201d containing the poetry written between 1956 and her death, were published posthumously in 1981, going on to win the Pulitzer Prize for poetry in 1982<\/a>.<\/p>\n Her standout poetry collection, \u201cAriel,\u201d was published in 1965 by UK publishing house, Faber and Faber<\/a>, appearing a year later in 1966 in the U.S. The title poem<\/a> became a feminist anthem, written as it was in Plath\u2019s 30th and final year, as she struggled with the breakdown of her marriage and a recurrence of the depression she had suffered at the age of 20.<\/p>\n Plath\u2019s work varied between poems around the natural world. She had a particular affinity for the sea, having spent much of her early childhood with her grandparents at Point Shirley. She also specialized in critiques around women, marriage and gender roles. The emotional depth of her poetry is explored through such poems as \u201cDaddy,\u201d based on the loss of her father as a young girl, although some critics<\/a> have more recently suggested it represents her conflicting relationship with her mother, Aurelia. She also wrote searing confessional poetry around the bodies and lives of women, such as \u201cLady Lazarus<\/a>,\u201d and \u201cThe Applicant<\/a>,\u201d which critique marriage, gender roles, and the objectification of women.<\/p>\n She was deeply concerned about the entrapment of marriage and the societal expectations placed on women. This theme was very much taken into her semi-autobiographical novel, \u201cThe Bell Jar,\u201d which also explored the mental breakdown she suffered at the age of 20. In the novel, Plath\u2019s narrator Esther Greenwood, a cipher for Plath herself, begins to unravel following a sweltering summer spent in New York working on the college edition of Mademoiselle magazine. Plath revealed her concerns around the McCarthy era communist witch hunts and the execution of the Rosenbergs through the opening of the novel.<\/p>\n In February of 1962, Plath died by suicide at her home in London, where she had taken her two young children to live following the separation from her poet husband, Ted Hughes<\/a>.<\/p>\n Though Plath died as second-wave feminism emerged, her work became an anthem for the Women\u2019s Movement. She has remained one of the most revered American female poets, particularly within the feminist community.<\/p>\n Born in Boston, Massachusetts in 1932 to Otto and Aurelia Plath<\/a>, Sylvia was the first of the couple\u2019s two children, her younger brother Warren arriving three years later. Initially residing at 24 Prince Street, Jamaica Plain, the family relocated in 1936 to 92 Johnson Avenue, Winthrop, close to her maternal grandparents. The young Plath often spent time with her \u2018Grampy\u2019 on the seashore. It was here that the budding poet found herself drawn to the natural elements that would go on to have such an impact on her work.<\/p>\n Plath showed an early aptitude for reading and writing, as relayed by her mother, Aurelia, in the introduction to \u201cLetters Home,\u201d the published correspondence she kept with her daughter throughout her life. Plath attended school early at four years of age, completing her first poems at the age of just five, with her first publishing success being at the age of eight with a poem appearing in the Boston Herald.<\/a><\/p>\n The most significant point of Plath\u2019s young life came at the age of eight years old when her father, a professor and critically acclaimed academic author, died of an embolus in his lung following a leg amputation due to diabetes. Aurelia Plath was forced to return to work full time to support the young family. The Plaths moved to 26 Elmwood Road, Wellesley, Massachusetts in 1942 to live closer to her work. She sacrificed much to ensure that her two young children had all that they needed and particularly encouraged her daughter\u2019s academic pursuits, something that appears to have been difficult for Plath to live up to. Wavering between an undying love for the mother whom she recognized as sacrificing all for her children, and the resentment that was to later appear in much of her poetry, she also struggled with the need to constantly perform well in school.<\/p>\n Plath studied at Smith College on a part-scholarship, with writer-mentor Olive Higgins Prouty<\/a> and Plath\u2019s mother helping to cover the fees. There she edited The Smith Review<\/a> and became guest editor at Mademoiselle magazine in 1953.<\/a><\/p>\n After returning home for the summer break in 1953 and realizing she had not been selected for a prestigious summer writing course, Plath suffered a mental breakdown resulting in a suicide attempt. On the 24th of August, she took sleeping pills and climbed into a crawl space beneath the family home. She was later discovered by her brother, Warren, and entered McLean Hospital<\/a> close to Boston. It was here that she met the radical young psychiatrist, Dr. Ruth Barnhouse<\/a> (later Beuscher), who was to become a lifelong mentor to the young Plath.<\/p>\n After missing the autumn term, Plath eventually returned to Smith following her release from McLean, and later studied at Newnham College, Cambridge in the UK<\/a> reading English, where she attended on a Fulbright scholarship. It was at Cambridge that she met a promising young poet named Ted Hughes, later marrying at the Church of St. George the Martyr, Queen Square, London in 1956.<\/p>\n After honeymooning in France and Spain, the couple moved to a flat at 55 Eltisley Avenue, Cambridge. Later they returned to the U.S. to spend a summer on Cape Cod. Then they moved to an apartment in Northampton, Massachusetts, where Plath worked as an instructor of English at Smith between 1957-58.<\/p>\n Beginning to work on her poetry in earnest, however, led Plath to leave teaching and focus on her writing, moving to Boston and working part-time as a secretary at the Massachusetts general hospital\u2019s adult psychiatric clinic. This experience likely inspired Plath\u2019s short story \u201cJohnny Panic and the Bible of Dreams.\u201d Plath later worked part-time for the chairman of Sanskrit and Indian studies at Harvard University, as well as auditing Robert Lowell\u2019s poetry-writing course at Boston University. She continued her ongoing therapy with Dr. Ruth Beuscher throughout this time.<\/p>\n Whilst a guest along with her husband at a Saratoga Springs artist\u2019s colony in 1959, Plath discovered she was pregnant with her first child, Frieda. It was at this colony that she constructed much of the poetry that was to feature in her first collection, \u201cThe Colossus.\u201d<\/p>\n In December 1959, Plath and Hughes moved back to the UK to live at 3 Chalcot Square, Primrose Hill, London, where daughter Frieda was born in 1960. This year also saw the publication of \u201cThe Colossus.\u201d<\/p>\n Despite Plath\u2019s worries about becoming a wife and mother \u2014 expounded in depth in both her journals, letters and novel \u2014 she excelled at both, running the family home at Court Green, North Tawton, Devon<\/a>, where Ted and Sylvia relocated in 1961 with Frieda. Their second child, Nicholas, was born soon after.<\/p>\n The Devon home, whilst more remote and quiet than Plath was used to, infused her poetry with the natural world. It was here that she also developed an interest in bee keeping, something she shared with her late father. This hobby also influenced a cluster of poems that later appeared in the \u201cAriel\u201d collection.<\/p>\n Sadly the depression that had plagued her youth returned following the revelation of Hughes\u2019 relationship with Assia Wevill<\/a> in the autumn of 1962. Taking the children to live in a flat at 23 Fitzroy Road, London, Plath\u2019s creative output initially emerged stronger than ever. She produced at least twenty-six of the poems for the \u201cAriel\u201d collection during this time, which was to be published posthumously.<\/p>\n Plath died by suicide on February 11, 1963 at home, inhaling gas from the kitchen oven, whilst her two children were asleep in their room. Her publishing legacy, however, remains strong among readers and academics alike.<\/p>\n<\/div> As Plath\u2019s debut collection of poetry and the only one published during her lifetime, it features poems such as \u201cThe Disquieting Muses<\/a>\u201d and \u201cThe Colossus<\/a>.\u201d The critical reception for Plath\u2019s debut collection was generally positive, with critics praising her technical ability and the intensity of her vivid imagery.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div> Reviews<\/p><\/div><\/div><\/div><\/div> Amazon<\/u><\/p>\n<\/div><\/div><\/div> StoryGraph<\/a><\/u><\/p>\n<\/div><\/div><\/div> Goodreads<\/a><\/u><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div> The first edition of \u201cThe Bell Jar\u201d was originally published under the pseudonym, Victoria Lucas, and later re-published in 1966 by Faber and Faber under Sylvia Plath\u2019s own name.<\/p>\n Plath originally chose to publish the book under a pseudonym to protect friends and family, particularly her mother, as the book is closely autobiographical. She also wished to separate it from her serious work as a poet.<\/p>\n The novel is semi-autobiographical, based on Sylvia Plath\u2019s own experience of mental breakdown at age 20, as well as her stay in McLean Hospital, working with a radical young female psychiatrist. She tells the story through the narrative of Esther Greenwood who expresses many of Plath\u2019s own concerns around women\u2019s roles and issues with her mother.<\/p>\n The book has sold more than three million copies and been translated into over forty languages. It originally received a mixture of lukewarm critical reviews on its first release, with some critics seeing it less accomplished than Plath\u2019s poetry. However, it has since become a feminist classic, praised for its dark humour and its culturally astute themes of female autonomy.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div> Reviews<\/p><\/div><\/div><\/div><\/div>Sylvia Plath Biography: Her Challenging Road to Becoming One of the 20th Century\u2019s Finest Poets<\/h2>\n
The Books of Sylvia Plath<\/h2>\n<\/div><\/div><\/div><\/div><\/div>
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