{"id":4982,"date":"2025-02-26T02:17:53","date_gmt":"2025-02-26T02:17:53","guid":{"rendered":"https:\/\/josephrauch.com\/therauchreview\/?p=4982"},"modified":"2025-08-22T20:01:22","modified_gmt":"2025-08-22T20:01:22","slug":"arsonists-city-review","status":"publish","type":"post","link":"https:\/\/josephrauch.com\/therauchreview\/reviews\/arsonists-city-review\/","title":{"rendered":"\u2018The Arsonists\u2019 City\u2019 Review: An Arab Perspective From Beirut to Cali"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1123.2px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>\u201c<a href=\"https:\/\/www.amazon.com\/Arsonists-City-Hala-Alyan\/dp\/035812655X?&amp;linkCode=ll1&amp;tag=josephrauch-20&amp;linkId=69eedddcdc120cb59001e71789518738&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">The Arsonists\u2019 City<\/a>\u201d by <a href=\"https:\/\/www.amazon.com\/stores\/Hala-Alyan\/author\/B01N9VQNLI?isDramIntegrated=true&amp;shoppingPortalEnabled=true&amp;linkCode=ll2&amp;tag=josephrauch-20&amp;linkId=7f69f509068007bfd4dd1f2541782542&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Hala Alyan<\/a>, published by HarperCollins in 2021, is the story of a family, spanning generations and decades. It\u2019s also the story of Lebanon, of Syria, of Palestine and of the trauma inflicted on their people \u2014 trauma that gets passed down to future generations.<\/p>\n<p>If you\u2019re a fan of character-driven, multi-generational family stories, then this is the book for you. It\u2019s also a story about homeland and immigration, and being a child of immigrants. Unlike most books about Arab American families, this one feels grounded in reality and doesn\u2019t stereotype the characters in any way. Take a look at our review to decide if \u201cThe Arsonists\u2019 City\u201d is your next read.<\/p>\n<h2>\u2018The Arsonists\u2019 City\u2019 Summary: Following a Mixed Arab Family From California to Lebanon and Syria<\/h2>\n<p>\u201cThe Arsonists\u2019 City\u201d by Hala Alyan follows the story of the Nasr family: a Syrian mother, a Lebanese father and three adult children who were born and raised in California. Focusing at first on the children \u2014 Ava, Mimi and Naj \u2014 the novel shows us that their lives are far from perfect. Ava is raising two kids and fixing her marriage after her husband\u2019s affair. Mimi is an aspiring rock star. But, now in his 30s, he\u2019s not so sure he\u2019ll ever find success. Instead he lives in the shadow of his younger sister, Naj, whose music career has taken off. She lives in Beirut, performing and partying, while keeping her queerness a secret from most of her family.<\/p>\n<p>Their grandfather passed away recently, leaving behind the family home in Beirut. Idris, their father, is determined to sell it, despite the rest of the family\u2019s protests. He insists on spending the summer in Lebanon, and Mazna, his wife, guilts the children into joining them.<\/p>\n<p>The story also flashes back to 1970s Syria when Mazna was a teenager performing in plays and dreaming of moving out of the country and away from her conservative parents to become an actress. The story then follows Mazna, and we see how she and Idris meet. Unbeknownst to Mazna\u2019s parents, Idris takes her on weekend trips to a war-torn Beirut, where she stays with his wealthy family, pretending to be friends with his sister so as not to arouse suspicion. Idris is in love with Mazna, but she does not love him back. Her attention is drawn to Idris\u2019 best friend, a Palestinian refugee named Zakaria.<\/p>\n<p>The novel takes us through the lives of the Nasr family members as they come to terms with their pasts and who they have become. When the family converges in Lebanon, secrets and truths are revealed, forcing the Nasrs to come together and confront their issues.<\/p>\n<p><strong><em>Editorial note:<\/em><\/strong><em> You may also enjoy our r<a href=\"https:\/\/josephrauch.com\/therauchreview\/reviews\/memory-police-review\/\">eview of &#8220;The Memory Police&#8221;<\/a>.<\/em><\/p>\n<\/div><script type=\"application\/ld+json\">\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"Review\",\n  \"itemReviewed\": {\n    \"@type\": \"Book\",\n    \"name\": \"The Arsonists' City\",\n    \"author\": {\n      \"@type\": \"Person\",\n      \"name\": \"Hala Alyan\"\n    },\n    \"isbn\": \"9780358126553\",\n    \"bookFormat\": \"https:\/\/schema.org\/Hardcover\",\n    \"publisher\": {\n      \"@type\": \"Organization\",\n      \"name\": \"Houghton Mifflin Harcourt\"\n    },\n    \"datePublished\": \"2021-03-09\",\n    \"image\": \"https:\/\/josephrauch.com\/therauchreview\/wp-content\/uploads\/sites\/7\/2025\/02\/the-arsonists-city-review_feature_GR_5044x3243-2-2-scaled.webp\",\n    \"description\": \"A deeply moving novel about a Lebanese-American family, exploring themes of identity, secrets, and generational trauma as they navigate personal and political turmoil across Beirut and California.\"\n  },\n  \"reviewRating\": {\n    \"@type\": \"Rating\",\n    \"ratingValue\": \"5\",\n    \"bestRating\": \"5\"\n  },\n  \"author\": {\n    \"@type\": \"Person\",\n    \"name\": \"Deena ElGenaidi\"\n  },\n  \"datePublished\": \"2025-02-26\",\n  \"publisher\": {\n    \"@type\": \"Organization\",\n    \"name\": \"The Rauch Review\",\n    \"url\": \"https:\/\/josephrauch.com\/therauchreview\/\"\n  },\n  \"reviewBody\": \"The Arsonists' City is an intricate and compelling novel that weaves together family secrets, cultural heritage, and the lasting impact of war. Hala Alyan\u2019s storytelling is rich and immersive, making this a must-read for those who appreciate multi-generational narratives with deep emotional resonance.\"\n}\n<\/script>\n<\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1123.2px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:42px;--awb-padding-right:60px;--awb-padding-bottom:22px;--awb-padding-left:70px;--awb-padding-left-small:45px;--awb-bg-color:#ececeb;--awb-bg-color-hover:#ececeb;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:25px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:25px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"--awb-flex-grow:0;--awb-flex-grow-medium:0;--awb-flex-grow-small:0;--awb-flex-shrink:0;--awb-flex-shrink-medium:0;--awb-flex-shrink-small:0;width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_1 1_1 fusion-flex-column trust-review-nest-block\" style=\"--awb-padding-left:20px;--awb-padding-left-small:20px;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-div\" style=\"--awb-text-color:#282827;--awb-margin-top:0px;--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;--awb-font-size:22px;\"><div class=\"fusion-title-heading title-heading-left title-heading-tag\" style=\"font-family:&quot;ABCGaisyrSemi-Mono-Medium&quot;;font-style:normal;font-weight:400;margin:0;font-size:1em;line-height:34px;\">Why You Can Trust Our Review Format<\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:14px;margin-bottom:14px;width:100%;\"><\/div><div class=\"fusion-text fusion-text-2\" style=\"--awb-font-size:19px;--awb-line-height:33px;--awb-text-color:#282827;--awb-text-font-family:&quot;Source Serif 4&quot;;--awb-text-font-style:normal;--awb-text-font-weight:400;\"><p>At <a href=\"https:\/\/josephrauch.com\/therauchreview\/\">The Rauch Review<\/a>, we care deeply about being transparent and earning your trust. These articles explain why and how we created our unique methodology for reviewing books and other storytelling mediums.<\/p>\n<\/div><div class=\"fusion-text fusion-text-3 fusion-text-no-margin\" style=\"--awb-font-size:19px;--awb-line-height:33px;--awb-text-color:#282827;--awb-margin-bottom:0px;--awb-text-font-family:&quot;Source Serif 4&quot;;--awb-text-font-style:normal;--awb-text-font-weight:400;\"><ul>\n<li>\u201c<a href=\"https:\/\/josephrauch.com\/therauchreview\/articles\/philosophy-book-star-ratings\/\">Our Philosophy on Star Ratings<\/a>\u201d<\/li>\n<li>\u201c<a href=\"https:\/\/josephrauch.com\/therauchreview\/articles\/addressing-failure-critic-consumer-book-reviews\/\">How We Address the Failures of Critic and Consumer Book Reviews<\/a>\u201d<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1123.2px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-4\"><h2>Audience and Genre: Appeals to Fans of Literary Fiction About Family, Arab Americans and the Arab World<\/h2>\n<p>In terms of genre, \u201cThe Arsonists\u2019 City\u201d falls under the category of adult literary fiction. The story would appeal to a wide audience, as it doesn\u2019t pigeon-hole itself into any niche genre or topic. While the story focuses on an Arab, Muslim family, readers do not need to be Arab or Muslim to enjoy it. Above all else, this is a story about a family, their history and their secrets. Immigrants and children of immigrants especially might enjoy Alyan\u2019s novel, as it draws on themes of living between two cultures and fitting into a new community.<\/p>\n<h2>Perspective: All Close Third Person, But Multiple Points of View<\/h2>\n<p>Alyan tells this story in close third person, primarily from the points of view of Ava, Mimi, Naj and Mazna. While multi-narrative stories can be hard to pull off, especially with as many narratives Alyan includes here (four main perspectives), \u201cThe Arsonists\u2019 City\u201d does so with deftness.<\/p>\n<p>At first, when switching between narrators, it took me a few pages per section to actually connect to the characters and get into their individual stories. But once I got to know each character, the transitions felt natural and kept my interest throughout. Every character was well-developed and unique, and Alyan does an excellent job distinguishing their voices and personalities. Even when the characters are acting out or in moments when they become unlikeable, I still felt invested in the story and the character arc.<\/p>\n<p>Mazna, for instance, often acts selfishly, hurting others and thinking only of herself. Nonetheless, she\u2019s arguably the most interesting character in the book. Anytime we\u2019re in her point of view, I was hooked.<\/p>\n<p>When Alyan focuses on the siblings, we get to see the complexities of their relationships with one another through their different points of view. They are all longing to connect but struggle to do so. As the reader, it\u2019s fascinating to see how they converge in the end within each of their sections of the book.<\/p>\n<p>A multi-narrative story like this one can easily fall apart, get confusing or lose the readers\u2019 interest. Normally it\u2019s easy for some characters to wind up being less compelling than others. However, Alyan manages to make all of the characters distinct and interesting in their own ways.<\/p>\n<h2>Three Cs: Compelling, Clear, Concise<\/h2>\n<p><em>Editorial Note: We believe these three factors are important for evaluating general writing quality across every aspect of the book. Before you get into further analysis, here\u2019s a quick breakdown to clarify how we\u2019re using these words:<\/em><\/p>\n<ul>\n<li><em>Compelling: Does the author consistently write in a way that would make most readers emotionally invested in the book\u2019s content?<\/em><\/li>\n<li><em>Clear: Are most sentences and parts of the book easy enough to read and understand?<\/em><\/li>\n<li><em>Concise: Are there sections or many sentences that could be cut? Does the book have pacing problems?<\/em><\/li>\n<\/ul>\n<h3>Compelling: For Lovers of Character-Driven Stories<\/h3>\n<p>Unlike most novels, this story doesn\u2019t follow only one or two main characters, but rather, it focuses on four main characters. Only a very skillful writer can jump between four POVs while still keeping each section compelling. Alyan is a skillful writer, as I found myself immersed in the story, the setting and the relationships between characters.<\/p>\n<p>While some sections are longer than others \u2014 Mazna, for instance, takes up a large chunk in the middle of the book \u2014 it never feels like the story drags on, and we\u2019re always in each section long enough to get fully invested in that character. However, if you\u2019re a fan of fast-paced, plot-heavy fiction more in the lines of genre fiction, then this story might be too slow for you. This is a more character-driven story, with a lot of internal thought and observation.<\/p>\n<h3>Clear: Very Much So, Despite Jumps in Perspective, Time Period and Setting<\/h3>\n<p>Again, it\u2019s not easy writing a multi-POV novel that jumps forward and backwards through time like this one. There\u2019s always a risk of events and characters becoming confusing, or the timeline being unclear. However, Alyan manages to tell this story quite successfully, as there was never a moment where I felt confused or lost. The sentences are clear, and I never had to go back and reread anything. The plot makes sense, with no continuity errors or plot holes, and the characters\u2019 actions and motivations feel true.<\/p>\n<h3>Concise: A Lengthy Story<\/h3>\n<p>The paperback version of \u201cThe Arsonists\u2019 City\u201d sits at a lengthy 443 pages. Admittedly, this is a bit long for any novel. However, looking back at the text, the novel length makes sense. There\u2019s so much story to tell about these characters and this family that I wouldn\u2019t know what could even be cut.<\/p>\n<p>The pacing was done well, and there were no superfluous or fluffy sentences that I could make note of. Even the beginning of the story immerses the reader immediately. It opens with a character in danger: Idris\u2019s Palestinian friend Zakaria, who we don\u2019t really learn about until much later in the story. The section is quick and concise, and right away, we\u2019re brought into the action.<\/p>\n<h2>Character Development: Clear Motivations, Understanding of What\u2019s at Stake<\/h2>\n<p>All four of the main characters (Mazna, Ava, Mimi and Naj) in \u201cThe Arsonists\u2019 City\u201d are very well-developed. They each get their own sections, so we\u2019re able to spend time with each character in a close third-person perspective. This structure allows us to get to know them very well.<\/p>\n<p>In every section, it feels like I am in that character\u2019s head. As a reader, I understand their motivations and desires. Alyan uses a nice mix of internal thought, dialogue and action to show what each character is like and what\u2019s at stake for them.<\/p>\n<p>They also change as the novel progresses. Mazna, for instance, is not at all who she was in her past, but we see how she develops, as well as the events that cause her to change: the death of someone she loves, immigration to America, the dissolution of her dreams. Her voice also changes when she moves from Damascus to California, as she realizes the life she thought she\u2019d have would never come to fruition.<\/p>\n<p>Meanwhile, we see how the siblings change during their summer in Lebanon. They grow closer to one another and begin to see themselves through the eyes of their other siblings. As they learn family secrets, they\u2019re also able to understand and empathize with their mother, and we see how that dynamic plays out internally.<\/p>\n<p>The secondary characters are also quite compelling. While not all of them get equal time in the book, the ones that really stand out are Idris and Zakaria. Without giving too much away, both characters play a major role in the story\u2019s trajectory, and although we\u2019re not in either of their perspectives, we very clearly understand what\u2019s at stake for them. Through Mazna\u2019s point of view in particular, Alyan does a nice job at developing these two secondary characters.<\/p>\n<p>Overall, the characters are interesting and well-rounded, and even when they\u2019re unlikeable, their stories are compelling. The Nasr family feels both unique and relatable. They have all of the problems a normal family might have: sibling rivalries, affairs, secrets from the past. But at the same time, their problems are unique to them.<\/p>\n<h2>Story: Realistic, Engaging and Emotionally Charged Arab American Story<\/h2>\n<p>Many books written about Arabs or Muslims often resort to stereotypes, or have a subplot about terrorism or oppressed women. This novel, however, doesn\u2019t have any of that, which was such a relief. The characters in the story aren\u2019t overly conservative stereotypes of Arab Muslims. Rather, they\u2019re quite liberal and free, as many of us are. As a result, the novel feels realistic and true to the average Arab experience, which was quite refreshing.<\/p>\n<p>In addition, it\u2019s clear that Alyan meticulously plotted this story from beginning to end. With four points of view, it would be risky not to, as the plot points and backstory need to stay consistent between characters.<\/p>\n<p>The ending, too, was wrapped up in a satisfying way. As the characters convene in Beirut, their stories come together in a way that feels intentional and well-thought-out. Again, without giving too much away, the characters\u2019 stories are wrapped up nicely, as family secrets come to the forefront, forcing everyone to reckon with who they once were and who they\u2019ve become.<\/p>\n<h3>No Clear Reason for Mentioning Arson in the Title, and the \u2018City\u2019 is Not Specific<\/h3>\n<p>In isolation, \u201cThe Arsonist\u2019s City\u201d sounds like the title of an action or mystery book about a series of arsons or a serial arsonist living in one city. Even after knowing the context that the novel is an Arab family saga, the title may prime many readers to have certain questions and expect answers. The story takes place in several cities, so is there a specific city that is supposed to be an eponymous city? Is it Beirut? Damascus? Both?<\/p>\n<p>The story does not feature any literal arson. There are bombings and fires in Beirut, but it\u2019s not clear if arson started any of the fires. If the arson is supposed to have a figurative meaning, Alyan does not spell out this rhetoric for the reader.<\/p>\n<p>It\u2019s possible Alyan is arguing that bombing is a form of arson because the bomber intentionally starts a fire, albeit as a secondary effect. If this rhetoric was her intention, Beirut and Damascus certainly would be arsonists\u2019 cities. Nonetheless, it\u2019s not like Beirut and Damascus are the only cities in the Arab world that have been bombed frequently.<\/p>\n<p>If you\u2019re the kind of reader who likes a title that is open to interpretation, you\u2019ll be satisfied with the uncertain meaning of \u201cThe Arsonist\u2019s City.\u201d If you prefer titles that answer the questions they pose, the title of this book may feel disappointing and misleading.<\/p>\n<p><strong><em>Editorial note<\/em><\/strong><em><strong>:\u00a0<\/strong>Check out our <a href=\"https:\/\/josephrauch.com\/therauchreview\/reviews\/captain-corellis-mandolin-review\">review of &#8220;Captain Corelli&#8217;s Mandolin&#8221;<\/a> next.<\/em><\/p>\n<h2>Prose Style: Conversational but Poetic<\/h2>\n<p>Hala Alyan primarily writes poetry and has published five poetry collections. It\u2019s often evident when a novel is written by a poet, and \u201cThe Arsonists\u2019 City\u201d is no exception. The tone is conversational, because we\u2019re close in the characters\u2019 heads, yet the prose is also lyrical and poetic.<\/p>\n<p>For instance, Alyan writes, \u201cTheir mother put her feet up. Her toenails are a perfect pink, and there are scraggly black hairs on her big toe. They remind Naj of the flower stems on Fee\u2019s X-rays, the night in the foyer.\u201d<\/p>\n<p>As you can see, the book is written in the present tense, in a sort of stream of consciousness, making the reader feel as though we\u2019re directly inside of the character\u2019s head. This sentence in particular stood out to me because of the contrasting imagery. The mother\u2019s pink toe with \u201cscraggly black hairs\u201d alongside the image of flower stems, particularly flower stems in an X-ray. The stark contrast seems like only something a poet would put together. It\u2019s descriptive and vivid: the hairy pink toes giving off something abject. At the same time, as Naj remembers the flower stems in an X-ray, the image becomes delicate.<\/p>\n<p>Alyan often puts contrasting images like this together through her language and metaphors, allowing the reader to see the characters in a unique light. At the same time, the prose isn\u2019t flowery or superfluous. It\u2019s easy to read and feels as though we\u2019re simply listening in on a character\u2019s thoughts.<\/p>\n<h3>Dialogue: Realistic<\/h3>\n<p>There\u2019s nothing too distinct about the dialogue in \u201cThe Arsonists\u2019 City,\u201d but that\u2019s not necessarily a bad thing. The dialogue is realistic and clear. It doesn\u2019t draw attention to itself, and it flows well with the rest of the prose. There are never any dense, dialogue-heavy scenes where we\u2019re slogging through conversation. Rather, the dialogue mixes with narration so that we\u2019re both seeing a scene as it plays out, while also being in a character\u2019s head, observing what they observe, and filtering the scene through their perspective.<\/p>\n<h2>Setting: Vivid, Detailed Whether It\u2019s California, Syria or Lebanon<\/h2>\n<p>\u201cThe Arsonists\u2019 City\u201d takes place in a number of locales, primarily Blythe, California; Damascus, Syria; and Beirut, Lebanon; and briefly in Austin, Texas. Alyan does a nice job at realistically describing each location. When we see the nightlife of Beirut, for instance, it feels like we\u2019re there. The descriptions evoke the sense of the author having been there, as we get the specific smells and sounds of the space we\u2019re in.<\/p>\n<p>The scenes in Blythe also stand out. When Mazna and Idris arrive, we experience Mazna\u2019s shock and dismay at the small, suburban town they end up in. She expects to be near Los Angeles, where she conjured images of glitz, glamour and fame, but instead they live in a small apartment in a regular, nondescript town, much to Mazna\u2019s disappointment.<\/p>\n<p>The story also jumps between the past and the present. For instance, we see what Beirut was like in the 1970s. We see Mazna\u2019s life in Damascus before the ravages of war, when the streets were quiet and peaceful, when it was safe. At the same time, when she travels to Beirut, we see the contrast in setting, as they run into police check points and hear news of bombings and violence in the city. Meanwhile, Mazna visits Idris\u2019s home, where he lives with his wealthy parents, and the violence we hear so much about is nonexistent. In describing Idris\u2019s family home, Alyan provides a nice contrast between the lives of the wealthy versus the lives of Zakaria and his mother, who live in a refugee camp. Overall, I thought the descriptions of setting were quite realistic, providing the reader with a very clear picture.<\/p>\n<h2>Rhetoric: Anti-Zionism and Anti-Colonialism<\/h2>\n<p>With the novel being set in Syria, Lebanon and America, it\u2019s impossible not to have some sort of political stance. While the main story is primarily about family, the effects of American violence in the Middle East are prevalent. The contrast of the Syria we know today, for instance, is stark against the 1970s Syria we see in the novel. We see Lebanon already teeming with colonial violence, and Palestinian refugees being slaughtered for no clear reason. Multiple colonial forces are at play as well. While it\u2019s made clear that the Palestinians are there because they\u2019ve been driven out of their homes by Israel, we also see them being treated poorly by Lebanese law enforcement, who show up at Zakaria\u2019s door with the intention of violence in the very first chapter. Although Alyan never explicitly states any political views, the reality of the situation in the Arab world is clear, and we can see how it affects everyone in the story.<\/p>\n<h2>Cultural and Political Significance: Conflict in the Middle East<\/h2>\n<p>\u201cThe Arsonists\u2019 City\u201d is especially timely because of current events in the Middle East. We see in this story that the conflict in Palestine is not new, as the book opens with a Palestinian refugee who is murdered. We learn his identity later on, but those events occur in the 1970s. We also see a war-torn Lebanon, and Syria before American and Israeli troops destroyed the lives of its citizens. While the book isn\u2019t specifically about that history, the violence in the backdrop of the novel speaks volumes, and anyone following today\u2019s current events would find that aspect interesting.<\/p>\n<h2>Critiquing the Critics: The Classic Problem of Conflating Character Dislike With Writing Quality Issues<\/h2>\n<p>Critics are for the most part in agreement about Alyan\u2019s book. Her Kirkus review calls it \u201cPainful and joyous, sad and funny\u2014impossible to put down.\u201d And the reader reviews on Amazon and Goodreads are fairly positive as well. People were drawn to the characters more so than anything else, and that makes sense because this is a character-driven book.<\/p>\n<p>The more negative reader reviews frankly have more to do with personal preference than the quality of the book itself. Some people found the characters unlikeable, and one Goodreads reviewer called them \u201cinsufferable.\u201d While I don\u2019t agree with that sentiment, it\u2019s understandable.<\/p>\n<p>Nonetheless, I don\u2019t think a character has to be good or likeable for the story to be good\u2014or even to enjoy the story. I think that critique as a whole is a bit shallow. However, most reviews for this book were quite positive.<\/p>\n<h2>Book Aesthetic: Peaceful and Painterly Cover Design<\/h2>\n<p>Critiquing a book cover\/aesthetic for a traditional novel (not a graphic novel or comic, etc.) does feel like a matter of personal preference, as people are drawn to different covers and different types of art. It\u2019s also important to note that while authors do get input into the cover, they don\u2019t always get the final say, and there\u2019s a separate cover artist who designs the work.<\/p>\n<p>I like the cover for \u201cThe Arsonists\u2019 City.\u201d When sending cover art to my own book cover designer, some of the examples I gave were \u201cpainterly\u201d covers much like this one. Needless to say, this style aligns with my personal taste. The colors also stand out to me. They\u2019re not dull, and the red tree in the foreground really pops.<\/p>\n<p>As a whole, the cover doesn\u2019t give away much about the story, but it focuses on a peaceful setting: a house, rather than the bustling cityscape of Beirut. The house is Idris\u2019s family home, where the characters all reconvene. It represents their past and their family\u2019s connection to the land. In the novel, there&#8217;s a dispute over the cutting of an almond tree in the front yard. The realtor selling the home wants to cut the tree down, while the family, particularly Naj, is adamant that it must stay. It was Naj\u2019s grandfather\u2019s tree, and its roots represent the family\u2019s roots in Beirut. While the tree isn\u2019t the main plot in the story, its meaning is highly significant, so it makes sense to have it on the cover.<\/p>\n<h2>Reviewer\u2019s Personal Opinion: Fully Immersed in the Story and Characters<\/h2>\n<p>I really enjoyed this book. As an Arab, Muslim writer myself, I\u2019m always looking for stories about Arabs and Muslims that don\u2019t resort to stereotypes and that show the characters living normal lives. The characters in this book are Arab, and they feel so normal and real, which I genuinely appreciated.<\/p>\n<p>Regarding the reader reviews about certain characters being unlikeable, I actually really enjoyed that aspect of the book. Mazna was my favorite character, as her life is so complex and layered. As I mentioned earlier, she\u2019s often making selfish decisions and hurting others. But that made her sections even more compelling to read. It made her well-rounded and flawed, and I was so immersed in her story.<\/p>\n<h3>Books Like &#8216;The Arsonists\u2019 City&#8217;<\/h3>\n<h4>&#8216;<a href=\"https:\/\/www.amazon.com\/You-Exist-Much-Zaina-Arafat\/dp\/0349701784?_encoding=UTF8&amp;dib_tag=se&amp;dib=eyJ2IjoiMSJ9.q52f03Q3x-ivX_Hh5DaQXqC9d3op6wVfvsbvWjQTdGc.Mu7fZp7GzABugyWHFk4LPx9WQYUkHS8AzCWNKb2c51k&amp;qid=1739962909&amp;sr=1-1&amp;linkCode=ll1&amp;tag=josephrauch-20&amp;linkId=7662bada4e140587b0fa72547cbe84d0&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">You Exist Too Much<\/a>&#8216; by Zaina Arafat<\/h4>\n<ul>\n<li>The story of a Palestinian American woman caught between cultural, religious and sexual identities.<\/li>\n<li>Like \u201cThe Arsonists\u2019 City,\u201d this is another story about an Arab American who is dealing with generational trauma and looking for home.<\/li>\n<\/ul>\n<h4>&#8216;<a href=\"https:\/\/www.amazon.com\/Olga-Dies-Dreaming-Xochitl-Gonzalez\/dp\/1250786185?_encoding=UTF8&amp;dib_tag=se&amp;dib=eyJ2IjoiMSJ9.hA0mfgmlym4Kbw068RUetpI86-yfb4jEk5Xky0fmTRaMSyX244jTN50jeKn2BuMDBt_aZ40BXbp2vbj2MwAokLEWMswhHqOdKUhU8nM72FpVsfojRu_hBwGSyfpQzq0eZQgGlOOEcPTPLXBQChLuYMnerOS6P4D08LDDx3LqqqWGqIotj3FG6w0mKn2GPnU_fuOSUmUNPk9xjGFvHfxZ0Jx5FP526oFVPJsZeXXQEw4.703gj5mQpeKBzszgANImBr7O54msbELDeVlh0SeMSs0&amp;qid=1739963004&amp;sr=1-1&amp;linkCode=ll1&amp;tag=josephrauch-20&amp;linkId=9493e11148067c3f2282c70c5f78819f&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Olga Dies Dreaming<\/a>&#8216; by <a href=\"https:\/\/www.amazon.com\/stores\/Xochitl-Gonzalez\/author\/B09485M9CF?isDramIntegrated=true&amp;shoppingPortalEnabled=true&amp;linkCode=ll2&amp;tag=josephrauch-20&amp;linkId=54314f080b2165ef003b088c9b7f75ae&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Xochitl Gonzalez<\/a><\/h4>\n<ul>\n<li>The story of familial trauma, political corruption, and being an outsider in America.<\/li>\n<li>While this isn&#8217;t a story about Arab Americans, many of the themes of this book are similar to those in \u201cThe Arsonists\u2019 City.\u201d The characters are once again dealing with generational trauma as they try to connect and empathize with one another, all while recognizing the disillusion of the American Dream.<\/li>\n<\/ul>\n<h2>\u2018The Arsonists\u2019 City\u2019 Review: A Realistic Portrait of Family<\/h2>\n<p>Overall, I think this book deserves all five stars because I was very impressed with Alyan\u2019s ability to create four well-rounded, compelling characters, giving them each their own distinct sections and POVs. I was hooked pretty early on, and I really can\u2019t think of any glaring imperfections to lower the star rating.<\/p>\n<h2>Buying and Rental Options<\/h2>\n<h3>E-Commerce Text and Audio Purchases<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.amazon.com\/Arsonists-City-Hala-Alyan-ebook\/dp\/B081TRZG7P?&amp;linkCode=ll1&amp;tag=josephrauch-20&amp;linkId=64f44e8a2d5f018b18eca1dfdbb98e83&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Amazon<\/a><\/li>\n<li><a href=\"https:\/\/www.barnesandnoble.com\/w\/the-arsonists-city-hala-alyan\/1135053889?ean=9780358126553\" target=\"_blank\" rel=\"nofollow noopener\">Barnes &amp; Noble<\/a><\/li>\n<li><a href=\"https:\/\/bookshop.org\/p\/books\/the-arsonists-city-hala-alyan\/17211302?ean=9780358126553&amp;next=t&amp;affiliate=2393\" target=\"_blank\" rel=\"nofollow noopener\">Bookshop.org<\/a><\/li>\n<li><a href=\"https:\/\/www.kobo.com\/us\/en\/ebook\/the-arsonists-city-2\" target=\"_blank\" rel=\"nofollow noopener\">Rakuten Kobo<\/a><\/li>\n<li><a href=\"https:\/\/play.google.com\/store\/search?q=9780358125099&amp;c=books\" target=\"_blank\" rel=\"nofollow noopener\">Google Play<\/a><\/li>\n<\/ul>\n<h3>E-Commerce Audio Only<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.audible.com\/pd\/The-Arsonists-City-Audiobook\/1980080461\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Audible<\/a><\/li>\n<\/ul>\n<h3>Physical Location Purchase and Rental Options, and Digital Rental Options<\/h3>\n<p>Right now it seems like most bookstores are not stocking this title. You&#8217;re more likely to find the novel in left-leaning independent bookstores, especially those in Arab American areas such as Michigan and Minnesota. Many libraries offer digital rentals of this book, and some have physical copies.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Unlike most books about Arab American families, this one feels grounded in reality and doesn\u2019t stereotype the characters in any way.<\/p>\n","protected":false},"author":30,"featured_media":4986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[41],"class_list":["post-4982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-novel-reviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.5 (Yoast SEO v27.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u2018The Arsonists\u2019 City\u2019 Review: An Arab Perspective From Beirut to Cali - The Rauch Review<\/title>\n<meta name=\"description\" content=\"\u2018The Arsonists\u2019 City\u2019 by Hala Alyan explores the intergenerational trauma of the Nasr family. 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