{"id":4801,"date":"2025-01-01T22:19:33","date_gmt":"2025-01-01T22:19:33","guid":{"rendered":"https:\/\/josephrauch.com\/therauchreview\/?p=4801"},"modified":"2025-07-31T19:14:56","modified_gmt":"2025-07-31T19:14:56","slug":"uzumaki-review","status":"publish","type":"post","link":"https:\/\/josephrauch.com\/therauchreview\/reviews\/uzumaki-review\/","title":{"rendered":"\u2018Uzumaki\u2019 Manga Review: Junji Ito\u2019s Spiral Into Horror"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1123.2px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>\u201c<a href=\"https:\/\/www.amazon.com\/Uzumaki-3-1-Deluxe-vols\/dp\/1421561328?crid=2DWL10GWY7V0K&amp;dib=eyJ2IjoiMSJ9.HTSbjuiooYmXtJGKJAvsl0vjLVuT6SlP2kPhiImgFRFAhPTnPxYmUFbyxoWgv5-yxg_igHcqP98SnYbsvsLqQkAiAgnSHJxJ3x9YupCqnflKSxWnCT3hMWlfomU3wCOYg1xW5isQp5KPxOlwjy4uV55WUpunW85JD4Pr15OjJpl5mMhZVcj75s_LW-yKwdnIfxbXsYvwxZgP9gmliX4wptGrXB4-AhCOpTwSqNnSFjg.OHPnsobugdF1-f1GyifHpHamzjf7WAiZh6YvyTI8FuQ&amp;dib_tag=se&amp;keywords=uzumaki+junji+ito&amp;qid=1735147315&amp;sprefix=uzumaki%2Caps%2C164&amp;sr=8-1&amp;linkCode=ll1&amp;tag=josephrauch-20&amp;linkId=0e9826b98aced4b6f81d1a435d50ff62&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Uzumaki<\/a>,\u201d the serialized manga by the universally praised <a href=\"https:\/\/www.amazon.com\/stores\/Junji-Ito\/author\/B003UW81VU?isDramIntegrated=true&amp;shoppingPortalEnabled=true&amp;linkCode=ll2&amp;tag=josephrauch-20&amp;linkId=bd5f2a17d9fe6588d573641ff0ace4e0&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Junji Ito<\/a>, is a lesser known pillar of horror storytelling. Ito\u2019s episodic spiral into horror is available in a single, deluxe edition for readers all over the world to enjoy. Recently, Production I.G. USA, Adult Swim, Akatsuki, and Drive collaborated to adapt \u2018Uzumaki\u2019 into a <a href=\"https:\/\/www.max.com\/shows\/uzumaki\/f3ba329b-1089-44bc-a844-6177fa69930e\" target=\"_blank\" rel=\"nofollow noopener\">mini-series available to stream on HBO Max<\/a>.<\/p>\n<p>The manga delivers remarkable, chilling and masterful illustrations of a seaside Japanese town, psychological madness and creative, spiral-shaped body-horror. Beyond the creepy images, \u201cUzumaki\u201d ingeniously wrestles with nature\u2019s inscrutable violence, crumbling social order, individualism and life itself.<\/p>\n<p>The artwork of \u201cUzumaki\u201d is a breathtaking mixture of beautiful and grotesque, and always effective in its decisive linework. The story moves forward with a bingeable, bite-sized quality while maintaining a strong through-line and steady sense of escalation. While the character development may be arguably lacking, the episodic nature of the story flourishes.<\/p>\n<p>Safely under the umbrella of graphic novels, \u201cUzumaki\u201d would make for an unforgettable foray into the world of Japanese manga for those unfamiliar with the artform. In any respect, it\u2019s a thoroughly impressive work from the late 1990s that maintains originality and relevance.<\/p>\n<h2>\u2018Uzumaki\u2019 Summary: Descent Into Collective Madness<\/h2>\n<p>Our main character, Kirie Goshima, recounts the strange events that happened in her seaside hometown, Kurouzu-Cho. Kirie\u2019s boyfriend, Shuichi, attends high school outside of town. This physical distance allows Shuichi to notice Kurouzu-Cho changing. When Shuichi\u2019s father develops an obsession with spirals, a chain of events unfurl that eventually envelop the entire town in dreadful, mysterious occurrences.<\/p>\n<p>Some of these occurrences include cremated human remains forming spiral clouds in the sky, residents developing spiral snail shells on their backs, and spiral hurricanes drawn toward a whirlpooling pond in the center of town.<\/p>\n<p>These seemingly independent events all have the spiral shape in common. On the surface, these connections may seem skin-deep, but the subtext and themes that tie these events together don\u2019t just defy rational explanation; they transcend it. As the mystery of these spiral events unfold, any attempt at a grand explanation seems less and less likely. Looking for a \u201cwhy\u201d amidst the chaos becomes a fruitless endeavor. The insights into human nature and nature itself are often simple, sometimes profound, and collectively timeless.<\/p>\n<\/div><script type=\"application\/ld+json\">\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"Review\",\n  \"headline\": \"Uzumaki Review\",\n  \"reviewBody\": \"A surreal and disturbing exploration of spirals and madness, Uzumaki cements Junji Ito's place as a master of horror manga.\",\n  \"reviewRating\": {\n    \"@type\": \"Rating\",\n    \"ratingValue\": \"4.5\",\n    \"bestRating\": \"5\",\n    \"worstRating\": \"1\"\n  },\n  \"author\": {\n    \"@type\": \"Person\",\n    \"name\": \"Noah Petrillo\"\n  },\n  \"datePublished\": \"2025-01-01\",\n  \"itemReviewed\": {\n    \"@type\": \"Book\",\n    \"name\": \"Uzumaki (3-in-1 Deluxe Edition)\",\n    \"author\": {\n      \"@type\": \"Person\",\n      \"name\": \"Junji Ito\"\n    },\n    \"isbn\": \"978-1421561325\",\n    \"datePublished\": \"2013-10-15\",\n    \"publisher\": {\n      \"@type\": \"Organization\",\n      \"name\": \"VIZ Media LLC\"\n    },\n    \"numberOfPages\": \"648\"\n  },\n  \"url\": \"https:\/\/josephrauch.com\/therauchreview\/reviews\/uzumaki-review\/\"\n}\n<\/script><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1123.2px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:42px;--awb-padding-right:60px;--awb-padding-bottom:22px;--awb-padding-left:70px;--awb-padding-left-small:45px;--awb-bg-color:#ececeb;--awb-bg-color-hover:#ececeb;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:25px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:25px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"--awb-flex-grow:0;--awb-flex-grow-medium:0;--awb-flex-grow-small:0;--awb-flex-shrink:0;--awb-flex-shrink-medium:0;--awb-flex-shrink-small:0;width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_1 1_1 fusion-flex-column trust-review-nest-block\" style=\"--awb-padding-left:20px;--awb-padding-left-small:20px;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-div\" style=\"--awb-text-color:#282827;--awb-margin-top:0px;--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;--awb-font-size:22px;\"><div class=\"fusion-title-heading title-heading-left title-heading-tag\" style=\"font-family:&quot;ABCGaisyrSemi-Mono-Medium&quot;;font-style:normal;font-weight:400;margin:0;font-size:1em;line-height:34px;\">Why You Can Trust Our Review Format<\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:14px;margin-bottom:14px;width:100%;\"><\/div><div class=\"fusion-text fusion-text-2\" style=\"--awb-font-size:19px;--awb-line-height:33px;--awb-text-color:#282827;--awb-text-font-family:&quot;Source Serif 4&quot;;--awb-text-font-style:normal;--awb-text-font-weight:400;\"><p>At <a href=\"https:\/\/josephrauch.com\/therauchreview\/\">The Rauch Review<\/a>, we care deeply about being transparent and earning your trust. These articles explain why and how we created our unique methodology for reviewing books and other storytelling mediums.<\/p>\n<\/div><div class=\"fusion-text fusion-text-3 fusion-text-no-margin\" style=\"--awb-font-size:19px;--awb-line-height:33px;--awb-text-color:#282827;--awb-margin-bottom:0px;--awb-text-font-family:&quot;Source Serif 4&quot;;--awb-text-font-style:normal;--awb-text-font-weight:400;\"><ul>\n<li>\u201c<a href=\"https:\/\/josephrauch.com\/therauchreview\/articles\/philosophy-book-star-ratings\/\">Our Philosophy on Star Ratings<\/a>\u201d<\/li>\n<li>\u201c<a href=\"https:\/\/josephrauch.com\/therauchreview\/articles\/addressing-failure-critic-consumer-book-reviews\/\">How We Address the Failures of Critic and Consumer Book Reviews<\/a>\u201d<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1123.2px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-4\"><h2>Audience and Genre: Digestible Manga for Fans of Horror<\/h2>\n<p>Horror exists as a genre in nearly every artistic medium, and manga is no different. Manga has certainly grown in popularity recently in the United States, with shonen like \u201cOne Piece\u201d and \u201cNaruto\u201d being among the most popular in America. Like in film, high-concept horror is typically a smaller, male-skewed subgenre in manga.<\/p>\n<p>\u201cUzumaki\u201d was released as part of a subgenre called \u2018seinen.\u2019 Seinen essentially refers to a particular corner of the manga world. It\u2019s for adults, often male, and tends to carry a reputation of balancing high-concepts with graphic violence. It\u2019s considered more high-brow than the typical young adult and commercialized \u201cshonen\u201d horrors like \u201c<a href=\"https:\/\/www.amazon.com\/Alice-Borderland-Vol-1\/dp\/1974728374?_encoding=UTF8&amp;dib_tag=se&amp;dib=eyJ2IjoiMSJ9.tlIAAcJK7j2MJ-f2vsymiQkaUjb4QB-Ev0aCC0NpUi3mcC1gC_AW0uisc5Onbzqb9skgs4vaAemNUzb02sgWymT2zjY334moSP4ejiIb9CXUbqJ1-kvmi4YuQzHyoFWOOzxqcMSYnH91G1R2KDS3Aw.SAY6V1oqZoSvtYQkxvwb9s0W8iR66dUey9LCCdCcOmU&amp;qid=1735148594&amp;sr=1-1&amp;linkCode=ll1&amp;tag=josephrauch-20&amp;linkId=348ae9f34d63209842a57c7f67ebec0d&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Alice In Borderland<\/a>.\u201d Ito himself plainly refers to himself as a horror manga writer in an <a href=\"https:\/\/www.youtube.com\/watch?v=jtM5x_4SejA\" target=\"_blank\" rel=\"nofollow noopener\">interview with Crunchyroll<\/a>. He said, \u201calthough I write horror manga, I want the reader to have an uncanny feeling more than fright. That sense of wonder, which also comes up in sci-fi.\u201d<\/p>\n<p>Over the decades, the work of Junji Ito has gained a global cult following of all genders. In recent years, portions of his library have made their way into the forefront of digital streaming, appearing on <a href=\"https:\/\/www.netflix.com\/title\/81295011\" target=\"_blank\" rel=\"nofollow noopener\">Netflix<\/a> and HBO Max. Manga has seen a steady surge among American teens since the late 1990s.<\/p>\n<p>Due to its unmatched horror vision, \u2018Uzumaki\u2019 has proven its potential to expand its reach through time, format and audience. The stories are inspired by the literary works of H.P. Lovecraft, and may invoke similar feelings to films like \u201cAnnihilation\u201d (based on a book trilogy).<\/p>\n<p>Granted, the work of Junji Ito is arguably a subgenre unto itself. Due to the level of unique strangeness, graphic violence and foreign origin, Ito\u2019s work managed to stay on the fringes of American pop-culture until recent years. For those willing to get a little daring in their reading, \u201cUzumaki\u201d is full of dark intrigue.<\/p>\n<h2>Book Aesthetic: Elemental and Eerie, With Unexplained Color Page Sections<\/h2>\n<p>Juni Ito\u2019s artistic style is largely his own, not necessarily in character design, but in his brand of horror. His style is revealed in subtle suggestions of mood and line work, and in his demented imagination. In &#8220;Uzumaki,&#8221; there is little gradient in tones. Nearly all mid range light is simulated through simple but painstakingly precise <a href=\"https:\/\/www.artistsnetwork.com\/art-mediums\/drawing\/the-how-and-why-of-hatching\/\" target=\"_blank\" rel=\"nofollow noopener\">hatching<\/a> (parallel lines) to create realistic shading. Beyond clever and fundamental shading techniques, it\u2019s either black, white, or middle gray. An entire world is completely and believably rendered in three shades.<\/p>\n<p>Color is used with extreme rarity throughout, and no discernible rhyme or reason. The deluxe edition begins with four pages of color-images before switching to black and white. Chapter 7, \u201cJack-In-The-Box\u201d and chapter 13, \u201cThe House,\u201d also begin with four color pages. Feel free to let us know if you have a theory of why this pattern exists! Perhaps they mark the beginnings of the older, three-volume release?<\/p>\n<p>The inner covers of the deluxe edition are also in color. The front cover is minimalistic and effective with black and white only, except a bright red spiral beneath the title. The subtle image of Kirie\u2019s spiral-cursed hair in \u201cMedusa\u201d is featured in a black-gray negative. The back cover is equally concise and mood-oriented. It conveys itself with graceful consideration.<\/p>\n<h2>Perspective: Young Woman Observing Chaos<\/h2>\n<p>Kirie recalls the largely vignetted stories that comprise Uzumaki. Despite all the information supposedly coming from her, Kirie\u2019s role in the stories varies widely. In some cases, she\u2019s at the very center. In others, it seems impossible that she could know what certain characters are saying. In many, she is a spectator within the town, as anyone might be.<\/p>\n<p>Being a largely visual medium, manga and graphic novels inherently blend traditional narrative styles with the more objective view of a series of panels, using visual perspective to suggest tone and more. The presence of an \u201ceye\u201d or camera creating what we see, along with Kirie\u2019s narration, makes it harder to pin down the exact level of reliability in the perspective of the story.<\/p>\n<p>The general lack of reliability of Kirie as the narrator, however, is used to a pointed purpose. Before a full suspension of disbelief, the stories start more grounded, with Kirie more present. As stories unfold beyond her, her reach is extended by the sense of small community gossip as well as an eerie, metaphysical connection the spiral has to every single living thing in the town.<\/p>\n<h2>Three Cs: Compelling, Clear, Concise<\/h2>\n<p><em>Editorial Note: We believe these three factors are important for evaluating general writing quality across every aspect of the book. Before you get into further analysis, here\u2019s a quick breakdown to clarify how we\u2019re using these words:<\/em><\/p>\n<ul>\n<li><em>Compelling: Does the author consistently write in a way that would make most readers emotionally invested in the book\u2019s content?<\/em><\/li>\n<li><em>Clear: Are most sentences and parts of the book easy enough to read and understand?<\/em><\/li>\n<li><em>Concise: Are there sections or many sentences that could be cut? Does the book have pacing problems?<\/em><\/li>\n<\/ul>\n<h3>Compelling: Singular Style<\/h3>\n<p>Visuals drive \u2018Uzumaki,\u2019 and they do so in a way that conveys great detail, nuanced reactions to emotionally complex situations and, perhaps most-importantly, unsettling, spiral-related fates. Some may find Kirie to be undeveloped, and Shuichi a bit one-sided. Nonetheless, there is enough interaction with them and their families to develop a sense of empathy. Watching them try to deduce what\u2019s going on and react to the horrors they experience makes them our vehicle for emotion. The characters are perhaps less active than they could be, but not without ties to the larger themes. Shuichi is grief-stricken and quickly of the belief that nothing can be done to escape the spiral. Kirie is both a guide and less attuned avatar for readers.<\/p>\n<h3>Clear: Simple on the Surface, Complicated Beneath<\/h3>\n<p>The events of the stories are never in question. In the most basic sense, the events of the plot unfold with undeniable clarity. Similarly, some of the smaller themes within a few short stories border on childish (the late student becomes a snail). But the piece as a whole is purposefully difficult, if not impossible, to completely figure out.<\/p>\n<h3>Concise: A Fast 600 Pages, Despite Spiral Repetition<\/h3>\n<p>From story to story, the pace is break-neck fast, rarely bothering with lengthy exposition or filler. Because the story was told episodically over time, reading them all at once, while easy to do, runs the risk of the story feeling repetitive. Then again\u2026 spirals are repetitive!<\/p>\n<p>Dialogue and narration were second to the images, rightly so, but words filled in the gaps with well-tuned brevity and clarity. Despite being a visual medium, making 600 pages feel quick to consume is no easy feat.<\/p>\n<p><strong><em>Editorial note:<\/em><\/strong><em> Looking for a manga rabbit hole? Check out our <a href=\"https:\/\/josephrauch.com\/therauchreview\/reviews\/cowboy-bebop-manga-review\/\">reviews of &#8220;Cowboy Bebop&#8221;<\/a> and its lesser-known predecessor, <a href=\"https:\/\/josephrauch.com\/therauchreview\/reviews\/cowboy-bebop-shooting-star-manga-review\/\">&#8220;Cowboy Bebop: Shooting Star&#8221;<\/a>.<\/em><\/p>\n<h2>\u2018Uzumaki\u2019 Character Development: Blank Slates of Morality<\/h2>\n<p>While Kirie and Shuichi are compelling, they face little throughout the story that forces them to grow or change. Rather, their struggles encourage them to stay the same, perhaps to no avail. The spiral transforms people who, in some way, usually succumb to a lower nature or indulge in selfishness. By fighting change and simply enduring, Kirie and Shuichi remain free of the spirals\u2019 influence for as long as possible. Many of the side characters serve as fairly straightforward, allegorical devices. These moral messages become complicated when, for example, pregnant mothers begin sacrificing strangers for their babies.<\/p>\n<p>Considering \u201cUzumaki\u201d was released in a serial magazine, and the story is about the effects on an entire town, it feels arguably realistic that a pair of relatively ordinary teens don\u2019t experience profound transformation during a time when literal transformation is violent and profoundly scary. Kirie takes active steps to avoid the spiral, sometimes at the cost of individuality. There\u2019s an element of needing to fall in line and be a perfect, invisible citizen\u2026 until being a good citizen means joining the spiral.<\/p>\n<h2>Story: Twisted and Alluring Episodes That Link Together<\/h2>\n<p>Junji Ito manages to keep each chapter relatively self-contained, achieving genuine short-term satisfaction out of quick stories. At the same time, the more you read, the more the individual tragedies build towards something huge. Every step closer is an increasing degree of unpredictable madness. The sheer impossibility of every story can feel more mesmerizing than traditionally scary. Inevitably, there\u2019s a victory of storytelling achieved here, whether or not any individual reader cares to make it through the entire collection. One or more chapters is almost certain to elicit an emotional response, if nothing more than a grimace at a visual reveal.<\/p>\n<p>Even if a chapter and its horrifying images amount to little more than a vague warning of \u201cdon\u2019t always seek to be the center of attention,\u201d the collection as a whole points toward much deeper, grander ideas.<\/p>\n<p>Without spoiling, suffice it to say that the existence of the spirals is remnant of the black box analogy. We may be able to see inputs and outputs as we do in nature, but actually seeing inside? Truly knowing the inner-workings is impossible, and that\u2019s what gives this collection of horror shorts its larger story. It\u2019s not just having Kirie and Shuichi that allows the story to feel full; it\u2019s the breadth of symbolism and town-sized scale that makes \u201cUzumaki\u201d feel like a complete story.<\/p>\n<h2>Prose Style: In Illustrated Books, Does Onomatopoeia Count as Prose?<\/h2>\n<p>Non-dialogue prose doesn\u2019t necessarily exist in \u201cUzumaki.\u201d Manga is a visual medium, and therefore tends to rely less on word-description. It\u2019s worth it, though, to take a moment to appreciate the translations of Ito\u2019s onomatopoeia. The \u201cklaketta, klaketta\u201d of a train pulling into Kurouzu Station, the \u201cFsssssh\u201d of heavy rain, and the \u201cSHEEEOOO\u201d and \u201ceeeyoooeeyoo\u201d of many-a-vortex throughout are appreciated.<\/p>\n<h2>Dialogue: Helpful If Not Expository<\/h2>\n<p>The consistent dialogue exchanges sometimes resort to wooden explanations to give clarity to images. This dynamic is common in graphic novels, comics and manga, but not inherently necessary. A number of lines of dialogue are just devices to help clarify images, like, \u201cLook, a trail,\u201d over an image of snail slime. In the flow of a read however, some of those lines feel appropriate, even helpful.<\/p>\n<p>\u201cUzumaki\u201ds\u2019 characters have distinct vocabularies and manners of speaking. Similar to the way actors can make lines sing, the accompanying imagery does wonders to assist and blend with the dialogue exchanges. The episodic nature of \u201cUzumaki\u201d may have detracted from opportunities to get to know Kirie and Shuichi better individually and as a pair through longer conversations.<\/p>\n<p>Manga (and anime) in English has a way of sounding extremely information-heavy. Seeing hand-drawn Japanese characters on a page reciting expository dialogue can feel dense and dishonest for unfamiliar readers. Without accompanying voice acting, it may seem even more stiff. For those familiar with it, it can take on a flow and style of its own.<\/p>\n<h2>\u2018Uzumaki\u2019 Setting: A Main Character<\/h2>\n<p>The small, tucked away, seaside town of Kurouzu-Cho is essential to the plot and tone of \u201cUzumaki.\u201d Everything takes place within its borders, a crucial rule of the strange magic of the spirals. The architecture and terrain may be unfamiliar to some. Despite the ominous and isolated nature of little Kurouzu-Cho, it feels mundane \u2014 beautiful and yet unremarkable. From the decayed row houses to the hills and ocean sandwiching the coastal town, this setting is baked into nearly every image. Dragonfly Pond, at the center of Kurouzu-Cho, also plays a pivotal role in the story.<\/p>\n<p>The mysterious, fictitious nature of the town is drilled deep into the magic of the spirals. While we\u2019re ultimately left to speculate, the class divides present in some of the stories and the depiction of the row houses lend to the moral lens of critique for \u2018Uzumaki.\u2019 For the more nuanced, arguably deeper and more elusive interpretation, the setting lends itself to an ancient history that likely transcends humanity.<\/p>\n<h2>Rhetoric: Fight the Inevitable<\/h2>\n<p>Some of the succinct lessons to be gleaned from the chapters within \u201cUzumaki\u201d border on alarmingly traditional. Is there supposed to be a sense of karmic justice for a lazy, late student to essentially melt into a grotesque snail alongside his bully? Should a femme-fatale-type teen girl be sucked into herself for playing with the hearts of young men? As the stories progress, any sense of simple or even brutal \u201csocial justice\u201d is sucked away into the spiral. One could use evidence from the stories to argue either side of an endless debate between collectivism and individualism.<\/p>\n<p>It\u2019s possible that the spiral represents selfishness associated with individuality. Throughout \u201cUzumaki,\u201d it\u2019s the people unwilling to account for the needs or feelings of others who face the swiftest fates from the spiral. On the other hand, it may be the free-thinking individualism of Kirie and Shuichi that allow them to stay free of the all-consuming, spiral force. In that sense, the spiral could very well represent a kind of soulless, amoral empire that demands conformity.<\/p>\n<p>At the end of the day, \u2018Uzumaki\u2019 feels far more concerned with fascination than explanation, and the spirals are more of an inexplicable natural force than a strict metaphor for any one thing. Like death, the spirals are inevitable.<\/p>\n<h2>Cultural and Political Significance: Media Modernizes<\/h2>\n<p>It\u2019s interesting to watch cultural trends repeat themselves, for shows, movies, music to re-enter pop-culture for another dance in the sunlight. \u201cUzumaki\u201d certainly doesn\u2019t feel over 20 years old. It\u2019s more likely that, at the time of its release, there was a greater debate over the more outmoded \u2018western vs eastern\u2019 philosophies, themes and implications of the story. Today, at the forefront of the general progress of media, audiences are more able to casually grapple with the absurd sorrows of post-modernism and the death of objectivity, no matter the origin. In this way, it makes perfect sense to see \u201cUzumaki\u201d get a well-publicized journey to streaming now, rather than 20 years ago.<\/p>\n<p>Unintelligible horror, evil triumphing over good, and shows about antagonists are more popular than ever. The barriers of global culture are getting thinner, despite how it may feel in America. There was little holding people back from getting their hands on \u201cUzumaki.\u201d Some art is just ahead of its time.<\/p>\n<h2>Critiquing the Critics: Not Scary Compared to Some Horror Movies, But So What?<\/h2>\n<p>Most critics praise \u201cUzumaki.\u201d Consumer reviews are mostly positive as well. When nearly everyone agrees something is good\u2026 it often is.<\/p>\n<p>One of the more common critiques from consumers amounts to \u201cit didn\u2019t actually scare me.\u201d This is an understandable point to make. However, many people have a tendency to unwittingly compare books to movies. They compare how scared they feel reading to how scared they feel watching a horror film. The way sound and moving images can elicit physiological reactions isn\u2019t quite the same as what photos and words on a page can.<\/p>\n<p>Granted, I\u2019m sure there\u2019s more gory manga, and more suspenseful writing out there. This may not be among the truly scariest graphic novels or traditional novels to exist. What \u2018Uzumaki\u2019 brings to the table is an uncanny, unique vision. No one seems to dispute that, and that\u2019s what it truly has to offer.<\/p>\n<h2>\u2018Uzumaki\u2019 From Manga to Mini Series<\/h2>\n<p>Adult Swim and Production I.G. USA adapted Ito\u2019s achievement into a 4-episode mini series. Many of the show\u2019s strengths, strangely, are also their own weaknesses. The show is extremely faithful to the art style of the manga, not only staying black and white, but using minimal shading. <a href=\"https:\/\/www.ign.com\/articles\/uzumaki-full-series-review-adult-swim\" target=\"_blank\" rel=\"nofollow noopener\">Some critics<\/a> have complained that, in doing so, the show feels bare and thrown together.<\/p>\n<p>The show manages to include essentially every single short story in the manga, which is admirable. The branching stories take place largely simultaneously to give the show a steady sense of escalation. But these victories come with their own downsides. Like the multiple language releases of the manga, the show is available to watch with English voice dubs. It is the default method that Max offers when watching the show.<\/p>\n<p>Despite the manga and mini series being nearly identical, it\u2019s hard to deny a sense of something missing from the show. Where the manga leaves you pondering character motivations and final revelations, the show focuses more on the violence and spectacle of it all. For example, a conversation between Kirie and Shuichi briefly hints at a connection between spirals and seeking attention, but rather than explore that connection through dialogue, like the manga does with Kirie and her classmate, the show jumps straight into people being transfixed by Kirie\u2019s spiraling hair. The rush to include everything made their inclusion have less impact. If any major event were left out, though, there would likely have been complaints about it.<\/p>\n<p>A cardinal rule of effective action\/horror is to give the audience time to react to it. In that regard the show falls short where the manga doesn\u2019t. Perhaps the biggest difference comes (as usual) at the very end. Without spoiling, there\u2019s a \u2018time\u2019 element that the manga leans into in its final moments, but the show hardly flirts with. Despite the criticisms, with imagery so striking and so many jarring moments, the show successfully drew in millions of viewers.<\/p>\n<h2>\u2018Uzumaki\u2019 Reviewer\u2019s Personal Opinion: \u2018Two Thumbs Way Up\u2019<\/h2>\n<p>After finishing the manga and the show, a potential plot hole within the story dawned on me. As I was debating including it in this review, I realized that the manga presents an ingenious solution to my concern. The show, however, does not. The show may avoid the near-plot hole by taking a more present-tense approach. I can\u2019t really say more without spoiling the ending, but please, leave a comment if you have a theory about what I mean! (Hint: It involves the very end, Kirie, and the element of relative time.)<\/p>\n<p>I definitely preferred the manga to the show, but it was a genuine pleasure to ingest them both. I also believe \u201cUzumaki\u201d is an absolute masterclass in symbolism. Purposefully or not, Ito may even be getting into Jungian territory in terms of how his use of spirals bubbles up from the collective unconscious. It\u2019s truly quite remarkable.<\/p>\n<h2>\u2018Uzumaki\u2019 Review: A Powerhouse of Illustrative Storytelling<\/h2>\n<p>\u2018Uzumaki\u2019 has stood the test of time to remain (if not become) a major staple of illustrated horror. Junji Ito is now becoming a pillar of the horror genre itself. This achievement is saying a lot because, at least in pop-culture, horror legends mostly belong to Hollywood. So, when a Japanese manga writer\/illustrator who came up in the late 1980s is, only in the past few years, becoming a household name, it pays to pay attention. While maybe not the \u201cscariest\u201d or most beautifully written, Ito\u2019s visual style and uniqueness make \u201cUzumaki\u201d an unmatched addition to the world of horror that, indeed, the whole world can spiral into.<\/p>\n<h2>&#8216;Uzumaki&#8217; FAQs<\/h2>\n<h3>Is &#8216;Uzumaki&#8217; really that good?<\/h3>\n<p>Yes, &#8220;Uzumaki&#8221; by Junji Ito is really good, earning it 4.5 stars in this review. Its unique storytelling, unnerving illustrations, and the eerie concept of spirals overtaking a town create a chilling and unforgettable experience for readers. Many fans and critics praise it for its originality and its ability to seamlessly blend psychological and cosmic horror.<\/p>\n<h3>What makes &#8216;Uzumaki&#8217; so scary?<\/h3>\n<p>The horror in &#8220;Uzumaki&#8221; stems from its surreal and escalating depiction of a town being consumed by spirals. Junji Ito\u2019s artwork brings the unnatural to life in gruesome detail. The characters&#8217; slow descent into madness and grotesque transformations are particularly unsettling.<\/p>\n<h3>3. What happened to the &#8216;Uzumaki&#8217; anime?<\/h3>\n<p>The Uzumaki anime adaptation, produced by Production I.G and Adult Swim, has faced several delays since its initial announcement in 2019. These delays were attributed to the creators wanting to ensure the animation quality lives up to the manga\u2019s iconic artwork. The anime promises a distinctive black-and-white aesthetic to remain faithful to Junji Ito\u2019s style. As of January 2025, its release date is yet to be confirmed.<\/p>\n<h2>Buying and Rental Options<\/h2>\n<h3>E-Commerce Text and Audio Purchases<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.amazon.com\/Uzumaki-3-1-Deluxe-ebook\/dp\/B07HC4JQNL?&amp;linkCode=ll1&amp;tag=josephrauch-20&amp;linkId=6bc1f189d83156e16ac0d3e5f17b1c2c&amp;language=en_US&amp;ref_=as_li_ss_tl\" target=\"_blank\" rel=\"nofollow noopener sponsored\">Amazon book purchase<\/a><\/li>\n<li><a href=\"https:\/\/www.barnesandnoble.com\/w\/uzumaki-junji-ito\/1103293998\" target=\"_blank\" rel=\"nofollow noopener\">Barnes &amp; Noble<\/a><\/li>\n<li><a href=\"https:\/\/www.target.com\/p\/uzumaki-3-in-1-deluxe-edition-junji-ito-by-junji-ito-hardcover\/-\/A-82813687\" target=\"_blank\" rel=\"nofollow noopener\">Target<\/a><\/li>\n<\/ul>\n<h3>E-Commerce Audio Only<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.bookey.app\/audiobook\/uzumaki\" target=\"_blank\" rel=\"nofollow noopener\">Bookey<\/a><\/li>\n<\/ul>\n<h3>Physical Location Purchase and Rental Options<\/h3>\n<ul>\n<li>Barnes &amp; Noble<\/li>\n<li>Target<\/li>\n<\/ul>\n<\/div><script type=\"application\/ld+json\">\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is 'Uzumaki' really that good?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"\\\"Uzumaki\\\" by Junji Ito is really good, earning it 4.5 stars in this review. Its unique storytelling, unnerving illustrations, and the eerie concept of spirals overtaking a town create a chilling and unforgettable experience for readers. Many fans and critics praise it for its originality and its ability to seamlessly blend psychological and cosmic horror.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What makes 'Uzumaki' so scary?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The horror in \\\"Uzumaki\\\" stems from its surreal and escalating depiction of a town being consumed by spirals. Junji Ito\u2019s artwork brings the unnatural to life in gruesome detail. 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As of January 2025, its release date is yet to be confirmed.\"\n      }\n    }\n  ]\n}\n<\/script>\n<\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The manga delivers remarkable, chilling and masterful illustrations of a seaside Japanese town, psychological madness and creative, spiral-shaped body-horror.<\/p>\n","protected":false},"author":26,"featured_media":4875,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[74,69],"class_list":["post-4801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-book-vs-film","tag-manga-reviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.5 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>&#039;Uzumaki&#039; Manga Review: Junji\u202fIto\u2019s Spiral Horror Explained - The Rauch Review<\/title>\n<meta name=\"description\" content=\"Junji Ito\u2019s \u2018Uzumaki\u2019 is a horror manga series from the late nineties. In this review, we\u2019ll do a deep dive analysis into what it all means.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/josephrauch.com\/therauchreview\/reviews\/uzumaki-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Uzumaki\u2019 Manga Review: Junji Ito\u2019s Spiral Into Horror\" \/>\n<meta property=\"og:description\" content=\"The manga delivers remarkable, chilling and masterful illustrations of a seaside Japanese town, psychological madness and creative, spiral-shaped body-horror.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/josephrauch.com\/therauchreview\/reviews\/uzumaki-review\/\" \/>\n<meta property=\"og:site_name\" content=\"The Rauch Review\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/noah.petrillo\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-01T22:19:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-31T19:14:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/josephrauch.com\/therauchreview\/wp-content\/uploads\/sites\/7\/2025\/01\/uzumaki-review_feature_GR_4201x2986-2.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1890\" \/>\n\t<meta property=\"og:image:height\" content=\"1343\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Noah Petrillo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Noah Petrillo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"17 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/\"},\"author\":{\"name\":\"Noah Petrillo\",\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/#\\\/schema\\\/person\\\/509f6c842256fd8652d00495291d3263\"},\"headline\":\"\u2018Uzumaki\u2019 Manga Review: Junji Ito\u2019s Spiral Into Horror\",\"datePublished\":\"2025-01-01T22:19:33+00:00\",\"dateModified\":\"2025-07-31T19:14:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/\"},\"wordCount\":6250,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/wp-content\\\/uploads\\\/sites\\\/7\\\/2025\\\/01\\\/uzumaki-review_feature_GR_4201x2986-2.webp\",\"keywords\":[\"book vs film\",\"manga reviews\"],\"articleSection\":[\"Reviews\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/\",\"url\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/\",\"name\":\"'Uzumaki' Manga Review: Junji\u202fIto\u2019s Spiral Horror Explained - The Rauch Review\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/reviews\\\/uzumaki-review\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/josephrauch.com\\\/therauchreview\\\/wp-content\\\/uploads\\\/sites\\\/7\\\/2025\\\/01\\\/uzumaki-review_feature_GR_4201x2986-2.webp\",\"datePublished\":\"2025-01-01T22:19:33+00:00\",\"dateModified\":\"2025-07-31T19:14:56+00:00\",\"description\":\"Junji Ito\u2019s \u2018Uzumaki\u2019 is a horror manga series from the late nineties. 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